- Oct 23, 2017
- 1
- 0
- 0
Aside from 3D performance, the main reason I got the Surface book with performance update was the ability to use the keyboard for easy shortcuts while drawing on the screen with the pen AND using touch gestures. The trouble is that working this way, you notice how wobbly the screen is to work on.
"But who cares if the screen is a little wobbly?" Is a question usually asked by people who don't use a keyboard while painting on the surface book.
-You cannot draw with precision because the screen is moving a little as you draw
-You should be able to wrest your drawing hand palm whilst drawing to prevent long terms strain, but doing so reduces the hinge life. So you have to hold the screen with the other hand to keep in stable, when it should be on the keyboard, ready for hotkeys.
"So why not just fold the tablet up and just deal with the screen"
-Distracts from the art making process by having to paradigm shift your usual keyboard and tablet based illustration workflow.
-Less screen real estate and choice of software, as onscreen buttons are essential for productive illustration work without a keyboard.
-Folding the tablet up causes the laptop to overheat more easily with more GPU intensive drawing programs and larger documents.
-Defeats the purpose of having bought a laptop which boasts a keyboard
-Switch back to a keyboard intensive software and you have to close all GPU based software, detach and then re-attach distracting from the creative process and sometimes blue screening your surface book.
"It's not that bad, try getting used to it" Concept art is not easy. The best plan is to have everything set in your favour so you're more likely to succeed. Look at the average 'Gimp' illustrator, now look at the average Photoshop illustrator, and I rest my case.
So with that said, Any idea how I can have a steady screen? is there a good kickstand case for the surface book with performance base?
Anyone want to share their way of working?
Warm regards,
Simon.
"But who cares if the screen is a little wobbly?" Is a question usually asked by people who don't use a keyboard while painting on the surface book.
-You cannot draw with precision because the screen is moving a little as you draw
-You should be able to wrest your drawing hand palm whilst drawing to prevent long terms strain, but doing so reduces the hinge life. So you have to hold the screen with the other hand to keep in stable, when it should be on the keyboard, ready for hotkeys.
"So why not just fold the tablet up and just deal with the screen"
-Distracts from the art making process by having to paradigm shift your usual keyboard and tablet based illustration workflow.
-Less screen real estate and choice of software, as onscreen buttons are essential for productive illustration work without a keyboard.
-Folding the tablet up causes the laptop to overheat more easily with more GPU intensive drawing programs and larger documents.
-Defeats the purpose of having bought a laptop which boasts a keyboard
-Switch back to a keyboard intensive software and you have to close all GPU based software, detach and then re-attach distracting from the creative process and sometimes blue screening your surface book.
"It's not that bad, try getting used to it" Concept art is not easy. The best plan is to have everything set in your favour so you're more likely to succeed. Look at the average 'Gimp' illustrator, now look at the average Photoshop illustrator, and I rest my case.
So with that said, Any idea how I can have a steady screen? is there a good kickstand case for the surface book with performance base?
Anyone want to share their way of working?
Warm regards,
Simon.
Last edited: